There are several ways through which you can add this markup to your site, speed up wordpress (en.papawp.org) either by installing a plugin or by manually adding the right code. You certainly don’t need to know how to code in order to use WordPress, but having some codingknowledge is valuable when it comes to customizing the way WordPress works for your membership site.
It makes it more likely not only that your pages will be found in search results, but also that you’ll get accurate knowledge panels in Google and that your social media accounts will link effectively to your website and boost your search rankings. Schema markup can give your SEO a boost, providing additional data to search engines as well as making better use of other tools like social media platforms and Google knowledge panels.
When used together, they give you a set of powerful, but easy to use, tools with which to design a great looking, responsive, website. Securing a website doesn’t require you to be a network administrator. But that doesn’t give search engines all the information they need to be able to fully understand what your site is about and who it would appeal to.
Also, the plugin creates beautiful photo galleries that you can include in your posts and can help you by providing various site stats right in your admin dashboard. This last method is perfect if you just want to tell WordPressto force SSL use within youradmin pages. Keep in mind – you can achieve the same results using the plugin we introduced during method number one. This will open the file using your local default text editor, enabling you to make changes to it, then save them to your server.
Life is Beautiful is the latest music festival to cancel 2020 dates due to the coronavirus (COVID-19) pandemic.
The festival, set for September 18 – 20, 2020 in downtown Las Vegas, will be pushed back for an entire year with plans for a full return in 2021. Life is Beautiful joins Electric Forest, Shambhala, Voodoo, and so many other beloved festivals that have set sights on next year.
LiB shares via statement:
We were more excited than ever to share the vision of this year’s festival with you. Instead, this moment has given us the opportunity to pause and assess what is truly important. It has given us the space to reflect and to grow, to refocus on our work, and to find new ways to give back to our community beyond the three days of the festival. Our hearts are heavy, but our resilience is unstoppable.
LiB closes with, “Spread love, stay kind, and celebrate life.”
Wrestling fans were agog last year when it was revealed that Netflix was working on a Hulk Hogan Biopic, with the wrestling legend himself attached as a consultant. Chris Hemsworth has been brought on board to play the lead role, but as he revealed during a recent interview, at this stage, he does not know any more about the project than fans.
“Look, I haven’t read a script yet. I know it’s being written now and worked on. I know very little about that. It’s sort of in the process now.”
It is always a tricky thing to make a biopic that is honest as well as entertaining, especially when the guy who is its subject is overseeing what gets put in the script and what gets cut. Hogan’s long and storied career as one of the most famous wrestlers of all time is not without its share of controversies, which the biopic may or may not address. For Chris Hemsworth, the appeal of becoming Hogan lies in getting to take a closer look at the larger-than-life world of wrestling entertainment.
“I’m just fascinated by that world, and I think they’re pretty keen to show a side of the world that people haven’t seen before. I’m as intrigued as you are.”
The movie is said to be an exploration of Hogan’s early years as a professional up-and-comer on the Florida wrestling circuit in the 1970s, to his induction into the WWF in the 1980s, and the explosive rise of ‘Hulkamania’ that followed. Todd Phillips, fresh off the success of Joker, is attached to direct the biopic, with Scott Silver of Joker and 8 Mile fame, and John Pollono (This is Us) attached as writers.
In the past, Hollywood’s take on wrestling entertainment has been more about the issues with the industry, as depicted in Mickey Rourke’s The Wrestler, and maintaining a careful distance from the glitzy side of the business. While it is unknown at this point what direction Netflix will take in telling Hogan’s story, the recent success of Tiger King and its flamboyant lead, Joe Exotic, might prompt them to focus more on the pomp and pageantry associated with Hogan in the ring than the issues that dogged him outside of it.
For Hemsworth, getting to play another pop culture icon like Hogan after cementing his status as Thor will only be a step up. The actor has had mixed results in his cinematic outings when operating outside of the MCU, but considering the writing and directing talent attached to the biopic, this might well be the film that garners Hemsworth critical acclaim as well as box office moolah.
For now, the actor is busy promoting his latest Netflix feature Extraction, directed by Sam Hargrave and produced by the Russo Brothers. Hemsworth plays Tyler Rake, a for-hire mercenary who finds himself embroiled in third-world politics of the underworld when the young boy he is rescuing turns out to be the son of a drug lord. This news was first reported on ScreenRant.
Steven Spielberg crafted one of the unquestioned greatest blockbusters of all time with 1993’s Jurassic Park. It also spawned one of the most successful franchises in cinematic history, with four sequels produced over the years, earning more than $5 billion at the box office. A sixth entry, Jurassic World: Dominion is currently in the works, but we’ve got some time to kill before it arrives. So, now comes the task of ranking the movies, in order, from worst to first.
Right off the bat, I need to say that Jurassic Park is my favorite movie of all time (not to spoil things in terms of the ranking here). That’s important because this is near and dear to my heart. Movies are an enormous part of my life. This series is at the apex of this massive pillar of my existence. But this is just my view on the subject and there is not a single one of these movies I don’t enjoy on some level. I rank these movies with nothing but love. With that said, here is how it shakes out.
Director J.A. Bayona was tasked with following up 2015’s smash blockbuster Jurassic World and the result was 2018’s Jurassic World: Fallen Kingdom. Unfortunately, it didn’t quite live up to its predecessor and ended up being something of a big mess, albeit one that has its moments. There is a lot going on, oftentimes too much, with the world trying to figure out what rights, if any, the dinosaurs who were brought back from extinction through science, have. It feels like a too many cooks in the kitchen scenario that goes firmly off the rails at points. The clone girl subplot, in my humble opinion, is an all-time low point in the series. That said, the cold open is truly excellent and there are some cool sequences, as well as some solid dino action. But this two-hour spectacle felt like a complicated means to an end. The goal was to get the dinosaurs off Isla Nublar and out in the world with humans, setting the stage for Jurassic World 3. The journey left something to be desired, but mission accomplished.
Jurassic Park III
I’ve often joked, even though I am quite serious when I say it, that Jurassic Park III is the worst movie I have seen the most times. Directed by the great Joe Johnston, the third entry in the series suffers from a lack of meaningful story to tell. It feels, more than any other entry in the series, obligatory. There are only a handful of people at play who end up stuck on Isla Sorna, aka Site B, because the Kirbys, played by William H. Macy and Tea Leoni, were attempting to rescue their son, with disastrous results. The good news is this brought Sam Neill back as Alan Grant. Credit to Neill for bringing his A-game. Even when he reacts to the talking raptor in that unforgivable, head-scratcher of a dream sequence.
For some reason, I find this movie to be extremely watchable. It is paced well. The story sails by with little drag. Johnston also has an inherent gift for bringing a sense of wonderment and adventure to life, which led to some really great sequences, such as the “birdcage” set piece, which finally made good use of flying dinosaurs. Not to mention the Spinosaurus being thrown in the mix, for better or for worse. Part of my problem with Fallen Kingdom is that the stakes are so big and that has lasting consequences in the universe. In contrast, Jurassic Park III is an isolated story. So, while it’s not quite as impactful as some of the other entries in the series, it can be enjoyed as its own thing, and that’s refreshing in some ways.
The Lost World: Jurassic Park
This is where things get tricky. I am aware this movie gets a lot of flack from critics and certain fans, but I love The Lost World, warts and all. This is in a virtual tie with my number two pick and on any given day, I could flip-flop the two. In any event, it lands at number three for me. As a huge fan of the franchise, this is where things get downright good in my view. Steven Spielberg returned to direct the inevitable sequel to the original. Following up something like Jurassic Park is damn near impossible, but going into it knowing it can’t top arguable perfection, there is a lot to love. For one, Jeff Goldblum is back as Ian Malcolm. We also get Julianne Moore thrown in as Sarah Harding, and adding a world-class actress into the mix has never hurt anything.
The core plot involves the introduction of Site B, an island separate from the failed dinosaur-filled theme park on Isla Nublar where the prehistoric beasts run free. John Hammond sends a small team to help stop InGen from taking the animals off the island. It’s not as tight as Jurassic Park. It’s not as inventive as Jurassic Park, but it’s a tremendous amount of fun. Some of my favorite sequences in the entire franchise are in this movie. Specifically, the “don’t go into the long grass” raptor bit. We also get double the T-rex action. It’s hard to argue against the classic Spielberg intensity of the double T-rex attack, with the RV being pushed over the cliff. I also find Pete Postlethwaite’s Roland Tembo to be one of the best characters introduced outside of the original movie. Imperfect though it may be, the good far outweighs the bad here in my eyes.
I understand this is a divisive movie. I know it is not as objectively great as Jurassic Park. But I unabashedly adore Jurassic World. Following the release of Jurassic Park III in 2001, the franchise went extinct for 14 years. It took a long time to hammer down what JP4 was going to be. The result was director Colin Trevorrow showing us what an operational dinosaur theme park looks like. Who amongst us that grew up in the 90s can’t say they dreamed of seeing John Hammond’s dream become a reality? This movie, for all of its flaws, captures that magic. And, again, speaking on a purely personal level, I find it to be a great deal of amusement in it.
The Indominous Rex allows for interesting conversations about the franchise as a whole to open up. Where does one draw the lines in playing God? These creatures aren’t exactly as they would have been, given the genetic science being used to bring them to life, so why not make a hybrid creature? Yes, that plays out poorly, but it’s easy to see how corporate greed would get us to that point. Chris Pratt and Bryce Dallas Howard lead the way as Owen and Claire, but it’s Ty Simpkins as Gray who allows the viewer to remember what it is like to be a kid who grew up loving these creatures. I have never been an inherently cynical viewer and going into this movie, bright-eyed and deliriously excited back in 2015 made for one of the most memorable viewing experiences of my life. We’re not treated to pop culture anticipation on that level that often, and the shared cultural experience this turned out to be carries with it tremendous value in hindsight. Also, a T-rex and a raptor teaming up to fight a hybrid dinosaur is pretty cool, right?
How could it be anything but Jurassic Park atop this list? This is, quite simply, one of the greatest works ever produced from one of the greatest filmmakers to ever do it. The adaptation of Michael Crichton’s novel of the same name is not only the perfect blend of art and entertainment, but it was a technical achievement that pushed the limits of what movies could be. It is a deeply important movie, aside from being a great one. Spielberg’s brilliant and groundbreaking blend of state-of-the-art CGI, coupled with some of the best practical creature effects ever put to screen, truly brought these prehistoric beings to life in a way nobody had ever thought possible. So much so that it holds up remarkably well, even under intense modern scrutiny. The same can not be said for many big event movies throughout history, which end up being unfortunate products of their moment.
While the dinosaurs are the hook here, the genius of Jurassic Park lies in its compelling human characters. Alan Grant. Ellie Sattler. Ian Malcolm. John Hammond. Tim and Lex. All of these characters are brilliant creations in their own right and, as a group, they make for an all-timer of an ensemble. Far too many blockbusters are forced to learn the lesson that spectacle alone cannot stand the test of time. It must be anchored in something real in order to resonate. To create something that can endure. Jurassic Park does that as well as any popcorn movie ever has. And, for my money, the T-rex breakout sequence is right up there in terms of mankind’s greatest achievements, standing alongside walking on the moon, the creation of the internet and sliced bread, or whatever one wants to add to the list. It is roughly seven minutes of pure, unbridled cinematic bliss. Jurassic Park is now and will forever be something truly special and unique.
Jurassic World: Dominion is set to arrive in theaters on June 11, 2021, from Universal Pictures.
Angelina’s girls-only bachelorette bash in the Big Easy is about to become a full-blown family affair — whether she likes it or not.
Tonight’s episode of Jersey Shore: Family Vacation saw Mike, Vinny, and Pauly D surprising the gals in New Orleans, barely even 24 hours after Angelina’s first unexpected guest arrived: JWOWW. At Deena’s convincing, Jenni opted to push aside any hurt feelings about that whole Zack situation and join the bachelorette festivities, unbeknownst to the bride-to-be.
“What the f*ck? Like, she’s here. I’m so happy to see her, but I’m also like, ‘Is she here to start drama?’ What is Jenni here for exactly? I’m shocked right now,” asked Angelina. “I’m definitely not sure about her intentions.”
While the two on-again, off-again frenemies “squashed the beef” with a heart to heart, the boys quickly grew bored with their guys’ weekend in Las Vegas and hatched a plan to “crash the bachelorette” at the behest of the resident prank war champion, Vincent Chase Pauly D.
“If the MVPs [aren’t] at their party, it’s whack,” he said. “They’re definitely missing us. I wanna crash that party, like, fly into New Orleans and pop into their party, bring the stripper.”
While the DJ’s plan might have been fine any other day, the roommate who shall forever be affectionately known as a “dirty little hamster” was already on edge with how things were shaking down in NOLA. Apparently, 4 a.m. was way too early to be calling it a night: “This sucks — I don’t wanna go home. It’s not fair. It’s my bachelorette party, and I want to stay out all night.”
So Snooki and Deena continued with their mission to get Angelina “white-girl wasted,” as the determined party crashers donned their Operation Incognito attire, “real stealth-like” bullhorn included, for a sneaky Mission: Guido of their own.
Will the Staten Island native be glad to see the rest of her fam, or will she freak out because they’re not part of her plans? It’s worth noting that the gals are less than thrilled with Vinny (dubbed a “douche canoe” by Nicole), in particular, for his involvement in Zack-gate. Tell us what you think will happen, then catch the bachelorette aftermath next Thursday at 8/7c.
A vaccine expert who says he lost his job because he disagreed with Donald Trump’s claims about treatments for Covid-19 is to file a whistleblower complaint, his lawyers say.
Dr Rick Bright led the US government agency trying to develop a vaccine for the coronavirus.
He says he was ousted for questioning the potential of hydroxychloroquine, an anti-malaria drug touted by Mr Trump.
President Trump said he had “never heard” of Dr Bright.
The president has previously mentioned the use of hydroxychloroquine and the related drug chloroquine as a possible “game changer” for Covid-19. However, many experts have cautioned that hydroxychloroquine could be ineffective, or even dangerous.
“In our filing we will make clear that Dr Bright was sidelined for one reason only – because he resisted efforts to provide unfettered access to potentially dangerous drugs, including chloroquine, a drug promoted by the administration as a panacea, but which is untested and possibly deadly when used improperly,” a statement from the doctor’s lawyers said.
But Politico reports that in internal emails Dr Bright praised the health department’s recent acquisition of tens of millions of doses of those drugs.
Under US law, a whistleblower complaint can be filed if a person believes their employer retaliated against them for exercising their rights as an employee.
In a surprise announcement on Tuesday, the US health department said Dr Bright had been removed as director of the Biomedical Advanced Research and Development Authority (Barda) and reassigned to a different role at the National Institutes of Health.
The following day, Dr Bright released a statement saying that he was replaced because he resisted “misguided directives” to promote hydroxychloroquine and chloroquine as treatments for Covid-19.
“While I am prepared to look at all options and to think ‘outside the box’ for effective treatments, I rightly resisted efforts to provide an unproven drug on demand to the American public,” Dr Bright said.
Asked about the row during the daily coronavirus briefing on Wednesday, President Trump responded: “I’ve never heard of him.”
Narcissism is a personality disorder in which individuals have an extreme sense of their own importance, are in need of constant attention and admiration, and have a lack of empathy when it comes to other people.
Over the years, many researchers have conducted studies that analyzed the behavior of narcissists, and some of them have focused on the underlying drivers of such individuals. In brief, what motivates a narcissist to go for important or powerful positions and how they manage to get so far.
Not to say that narcissists cannot be extremely intelligent, but if we take a closer look at certain celebrities or people that occupy important roles, we can easily see that some of them don’t have any specific skills. They don’t do much, but they do have a way in making others perceive them as fit for their position.
So how does a narcissist get in the public eye or positions of power?
Narcissism tends to increase in adolescence and it will reflect in the importance of status that a teenager thinks he needs among his peers. Suddenly, everything is about getting noticed. A narcissist teenager won’t care about forming meaningful relationships — all they want is for others to praise them and anyone who disagrees with them in any aspect, is disposable.
As they become young adults looking for a job, narcissists will use the same type of behavior, but this time they’ll be more meticulous in evaluating opportunities, based on how much exposure and power a certain role can offer.
Narcissistic people get to obtain more powerful or visible roles by making use of their outstanding traits or skills. When their skills are not necessarily measurable (or barely existent), they will still manage to fool others that they have the potential.
How? Many narcissists are master manipulators. Some of them would only annoy everyone around them with their arrogance, but others understood that they can obtain whatever they want by getting under other people’s skin. They can be charming and extraordinarily self-controlled under stressful situations (such as interviews), which helps them in the process of getting a job, and later in keeping it.
While others might flinch when recommending themselves for a position (even if they have what it takes), the narcissist will display a level of confidence that can delude anyone. After all, people who offer important roles are looking for individuals capable of handling all sorts of challenging situations, and the narcissist has all the “tools” to convince them that they’re the person for the job.
Narcissists will achieve their goal either by lifting themselves up or by tearing others down. If necessary, they will lie, minimize their rivals’ accomplishments or bully them. If they can’t achieve the status they want by actually being the best at what they do, they will eventually try to drag everyone else down.
Narcissists in their pursuit of status
We already know that narcissists feed on adoration so it’s understandable why they will surround themselves with people that compliment them or their achievements. But more than often, two or three people will no longer do the job for them.
Contrary to the popular belief that a narcissist’s confidence is unbreakable, recent studies have shown that a narcissist’s self-esteem is quite fragile and they are dependent of other people’s constant approval that they are the greatest. Whatever the case, they will aspire to visible and important roles that can provide the amount of admiration or obedience they need.
Positions of power: pure fuel for narcissism
Narcissists are extremely preoccupied with power and control. To them, power is the only thing that matters because that means they’re not weak or insignificant. As a result, they conceptualize every situation in terms of status — they’ll aim for any position that will give them the opportunity to impress others and/or get more attention and respect.
These individuals build up their self-esteem using energy from other people –- the more, the merrier! Being famous gives them the opportunity to stand in front of countless fans that will compliment, applaud and defend them when needed. Being in a position of authority allows them to be in control, whether they have to use emotion, intelligence, fear or force to get it.
Whichever the case, the only needs that matter are their own so they will look for roles that naturally meet those needs. They are often represented in the ranks of actors, politicians, and leaders, since these positions imply admiration and/or obedience from their subordinates.
Having this said, it doesn’t mean that all celebrities or CEOs are narcissists. This simply states the fact that this type of individuals are more likely to choose such careers as they offer a higher status and secure the uninterrupted flow of narcissistic supply. A more “behind-the-scenes” role will not be as noticed by others, and thus, it would not feed their ego.
To sum up…
Recognizing the differences between a narcissist and an ambitious person who has the courage to aim high is crucial when positions of power are at stake.
The ones who only need to be admired might be harmless, while the ones in search for positions of power can be extremely dangerous if they get their hands on them.
The greater the power, the more dangerous the abuse.
Running out of things to do in quarantine? Exhausted all your original ideas and need a break?
Earlier this week, triple j announced their #DIYSupergroup challenge, making stems, samples, and more from the likes of Tame Impala, Flume, Tash Sultana, The Jungle Giants, Middle Kids, Amy Shark, Tkay Maidza and G Flip up for grabs.
There is a catch — you can only use these recordings for this competition and exclusively on triplejunearthed.com.
To get started, you’ll need to download the samples and loops here. Then, you’ll create your track using the samples from at least three of the artists included.
After you’ve finished making your tune, you can upload it to your triple j Unearthed artist page by midnight AEST /7am PT on Sunday, May 17. Make sure to include #DIYSupergroup in the title so triple j can find it.
The winner will have their track played all over the airwaves!
The Lego Movie franchise is undergoing a huge change, which will include a possible full reboot. Lego is officially leaving Warner Bros. as Universal signs a new 5-Year deal with the iconic toy company. It’s a smart move, as the LEGO Movie series has brought in well over $1 billion at the worldwide box office.
Lego and Universal have entered an exclusive agreement that will last for a minimum of five years, and will see the motion picture studio developing, producing and distributing several movies based on the building blocks. These will include new ideas based on the intellectual property. It is unclear at this time if any characters from the original Lego movies will be returning. Batman, who got his own Lego Movie spinoff, is a character solely owned by Warner Bros.
There were four Lego movies released at Warner Bros. These include The Lego Movie, The Lego Movie 2: The Second Part, The Lego Batman Movie and The Lego Ninjago Movie. Each installment has been a smashing success, and as of now, the franchise proved to be a billion dollar winner for Warner Bros. Will Universal be able to find similar success?
It was reported that Universal was eyeing a Lego partnership back in December. The toy company had been exploring future options as its Warner Bros. deal was about to wind down. Universal chairman Donna Langley made the deal announcement with Jill Wilfert, head of entertainment at Lego, earlier today. She had this to say.
“The Lego System in Play gives people the ability to build worlds and create stories that they carry throughout every phase of their live. To partner with such an iconic brand that remains relevant and is constantly evolving allows for creativity in storytelling. We’re thrilled to start building out the next chapter of Lego movies together with Jill and the Lego team as they continue to inspire curiosity and innovation.”
Jill Wilfert had this to say about the new deal.
“Universal’s commitment to unique storytelling from diverse voices makes the studio the perfect partner as the Lego Group enters this new phase of filmmaking. Donna and the entire Universal team bring a sense of wonder and imagination we share, and we can’t wait to execute on our shared vision.”
Jill Wilfert is going to be serving as an executive producer on all upcoming Lego movies and TV projects. These will be created and released by Universal Pictures. Rideback’s Dan Lin, who procured the four Lego movies at Warner Bros., will also be returning to produce these new feature-length adventures with Jonathan Eirich. The Lego Group was represented by Kleinberg Lange in the deal. This news comes from The Hollywood Reporter.
More Scary Stories to Tell in the Dark is on the way, as original director André Øvredal has reportedly closed a deal to direct an official sequel. Additionally, the original movie’s screenplay writers, Dan Hageman and Kevin Hageman, will also be returning to again pen the script. The plot will be based on a new story by Guillermo del Toro, who also served as the producer of the original Scary Stories to Tell in the Dark movie. The sequel will also be co-financed by eOne and new distributor Paramount Pictures.
There have been rumors of a Scary Stories to Tell in the Dark 2 going into development, and this news confirms the project is indeed moving along at a nice pace. As of now, del Toro and company are keeping plot details for the sequel under wraps, so it remains unclear if any characters from the original movie will be returning. One thing we can expect to see is more of the horrific stories from the original book series brought to life, as this was handled very well in the original movie. Perhaps we’ll see a few familiar antagonists returning, though many fans would certainly love to see other classic stories delved into as well.
In the first Scary Stories movie, the story was set in 1968 in the small American town of Mill Valley, Pennsylvania. It follows a group of teenagers who discover a mysterious book in a local “haunted house” filled with several scary stories. They then learn that new stories appearing in the book correlate with supernatural events playing out in real life, with many of the actual stories from the original book series inspiring what happens to the characters in the movie. Together, the teens must work together to figure out a way to put a stop to the insanity that’s taken over the town.
Scary Stories to Tell in the Dark originally began as a book of short horror series first released in 1981. Written by Alvin Schwartz, the book featured ghastly imagery from illustrator Stephen Gammell which went a long way toward making the stories that much more terrifying. Based on the popularity of the book, two more would follow in 1984 and 1991. In the years since, the Scary Stories books have maintained their popularity with each new generation of young readers with consistent re-releases and updated versions. Efforts to turn the books into a movie date back many years with del Toro originally planning to direct as well as produce.
It’s not exactly a surprise to see Scary Stories to Tell in the Dark getting a sequel. With a budget of less than $30 million and ticket sales raking in over $105 million worldwide, the movie turned out to be a financial success. Most fans seemed to be happy with the adaptation as well, as the stories adapted from the books were done so rather faithfully. It’s also fortunate that the same creative team will once again be involved for Scary Stories to Tell in the Dark 2, suggesting we’ll be getting some consistency between the two movies. No word yet on when production will begin. This news comes to us from Deadline.